Casino

German boutique flat on Beatles-era Casino — vintage jazz territory.

Casino + TI BeBop — Beatles-era jazz tone for serious recording musicians.

Chromes flatwound for Casino jazz-crossover players.

Pure nickel on Casino brings out vintage Beatles/indie-rock character.

Rotosound British Steels 10-46 on the Epiphone Casino is John Lennon's documented mid-period switch — Lennon famously stripped his '65 Casino and used it across 'Let It Be', 'Abbey Road', and the Plastic Ono Band era. Beatles guitar historians confirm Lennon moved from Pyramid flatwounds (early Beatles) to Gibson Sonomatic roundwounds, then to Rotosound roundwound by the late 1960s.

As Guitar World's Beatles strings investigation puts it: "Lennon used Pyramid flatwound strings during the Beatles' early years, switching to Gibson Sonomatic roundwound strings and later Rotosound roundwound strings in the mid 1960s." Conventional wisdom: every modern Casino owner upgrades to Ernie Ball Slinky 10-46 or D'Addario NYXL — the universal nickel-wound default. Mismatch logic: Rotosound British Steels are British-made stainless-tinted steel (vs nickel), brighter and more cutting — exactly the cutting-through-Marshall-stack tone Lennon got on 'Come Together' / 'I Want You (She's So Heavy)' where the Casino had to compete with full band saturation.

Best for Casino owners chasing late-Beatles Lennon stripped-Casino tone; skip if you want McCartney-era Pyramid flat warmth or modern jangle nickel.